Window light + time + human creativity. Nothing artificial required

About Shelley

My practice has developed over time as my interest in the Dutch and Flemish Masters grew. The symbolism of inanimate objects had been with me, probably, all my life. With the coming of each religious festival there was a food associated with it, something to eat or else to place on a dining table where it would be the catalyst for telling an ancient story. So with this in my bones, so to speak, looking at the Dutch and Flemish Masters’ work I realised that everyday or exotic objects could become an emblem or symbol for something else in the world.

My practice has developed over time as my interest in the Dutch and Flemish Masters grew. The symbolism of inanimate objects had been with me, probably, all my life. With the coming of each religious festival there was a food associated with it, something to eat or else to place on a dining table where it would be the catalyst for telling an ancient story. So with this in my bones, so to speak, looking at the Dutch and Flemish Masters’ work I realised that everyday or exotic objects could become an emblem or symbol for something else in the world.

My photographic work had, for many years, been something I used to analyse the world around me. Most of my photographs would be close-up work enabling the viewer to see more than they normally would. Once my interest in symbolism combined with my photography, this attention to detail really took hold.

After my Honours degree in Photography at the University of Westminster I started doing commercial work for local food and drink producers where I began to really think about what was in front of my lens and why it was there. At that point I started my research into the symbolism in art and how I could introduce that into my photography.

A few years passed when I had to take a break owing to two rounds of surgery within a four month period, dealing with a couple of cancers. Not surprisingly this led to a reassessment of what I was doing which resulted in my walking away from my commercial work to concentrate on my fine art practice. From there I’ve gone on to exhibit in a number of galleries or at art fairs and have been honoured to have my work on walls around the world. For me, the fact that someone understands what I’m doing and wants to be so much a part of it that they buy a print (or more!) is truly remarkable. It is a confirmation of everything I am trying to achieve.

I am always interested in talking with galleries who know and understand photography and its place in the art world with a view to collaborating.

Associated Links

There are a number of people and organisations with whom I have an association or by whom I have been inspired:

The Rijksmuseum in Amsterdam is my “go to” place when I need a serious fix of the Dutch Masters

On a smaller scale, the Frans Hals Museums offer an immersion of art from 17th century

A little closer to home are The Fitzwilliam Museum in Cambridge (Gallery 17) and the Norwich Castle Museum‘s extensive collection of Dutch and Flemish Still Lifes and Flower Pieces

I have an Associate Distinction from The Royal Photographic Society 

Bob Foyers of Foyers photography is the person who does my image photography. He has immense patience which is surely tried as I hate having my photograph taken!

I am an Awareness Speaker for Bowel Cancer UK giving talks about how to spot the signs and limit your risk of colon cancer

I am a volunteer member of the Public and Patient Panel of the East Genomic Medicine Service Alliance whose role is to promote the genetic testing within the NHS for many inherited diseases.

is a small charity supporting those affected by Lynch Syndrome, a genetic condition pre-disposing those with it to a number of types of cancers.

An organisation with which I have long been associated, THE WOOLVERSTONE PROJECT, offering sailing for people with disabilities