Symbolic of love, romance, fertility and abundance. It predates the modern apple and is sometimes considered to be the original forbidden fruit in the Garden of Eden. Printed using archival quality inks on aluminium dibond framed in black oak. Print size 300x300mm, overall size 344x344mm
From the tradition of the 17th and 18th centuries still life painting in Northern Europe. Bread with wine has great symbolism in both the Jewish and Christian faiths. Giclée printed with archival quality inks on museum quality cotton rag paper, mounted and framed in narrow aluminium black anodised frame, under non-reflective glass. 700x500mm
A Still Life in the tradition Dutch and Flemish Masters’ style symbolising the transition from Summer to Autumn. Dried flowers from high summer are arranged with the last of the roses (renowned for representing beauty and love) and cosmos that are adding colour to a fading garden. The lavender was so popular with the bees and butterflies but now spent although still smelling gorgeous. Around the base of the vase is a mixture of flowering ivy and oak leaves with their acorns. Ivy is often associated with fidelity and even eternal life. The English Oak is the symbol of strength and durability while its fruit, the acorn, symbolises immortality. Plums and greengages, the last of the English stone fruits, are nestled amongst apples and pears representing the transition from summer to autumn fruits. Souvenirs from summer walks, comprising white stones, shells and sea glass collected from the beach are memories of long, bright days.
A free range blue egg just too beautiful not to be photographed. Naturally lit, naturally balanced. The egg symbolises the circle of life and re-birth while the feather speaks of transience. Printed using archival quality inks on aluminium dibond, black anodised aluminium frame. Ø50cm.
From the tradition of the 17th and 18th centuries still life painting in Northern Europe. Bread with wine has great symbolism in both the Jewish and Christian faiths. Giclée printed with archival quality inks on museum quality cotton rag paper, mounted and framed in narrow aluminium black anodised frame, under non-reflective glass. 700x500mm
Influenced by the Dutch Masters of the 17th and 18th centuries this autumnal Still Life includes modern day artisanal cheeses produced in Suffolk. Giclée printed with archival quality inks on museum quality cotton rag paper, mounted and framed in narrow aluminium black anodised frame, under non-reflective glass. 700x500mm
A modern version of the tradition of the 17th and 18th century still life painting from Northern Europe. The abundance of exotic fruits demonstrates the wealth of the owner. Giclée printed with archival quality inks on museum quality cotton rag paper, mounted and framed in narrow silver coloured anodised frame. 700x500mm
From the tradition of the 17th and 18th centuries still life painting in Northern Europe. Locally grown fruits and vegetables combine with more exotic fare. Pheasant feathers hint at the forthcoming season. Giclée printed with archival quality inks on museum quality cotton rag paper, mounted and framed in narrow aluminium black anodised frame, under non-reflective glass. 700x500mm
Based on the traditional Dutch Masters’ still lifes of the 17th and 18th centuries, this is a modern interpretation. Persimmons, quinces, figs and passion fruits are all associated with love, persistence, desire and in the case of quinces, consistency. Here they are shown against a cool backdrop with polished silver and bright crystal as a foil to their intense colours. Giclée printed with archival quality inks on museum quality cotton rag paper, mounted and framed in narrow silver coloured anodised frame. 700x500mm
In the style of the traditional Dutch Still Life Masters, this photograph comprises part of a season’s haul of game. A groaning table over-loaded with produce which, in the18th century, would have been used to display the wealth of the owner. Game provided by The Wild Meat Company, Suffolk. Giclée printed with archival quality inks on museum quality cotton rag paper. Mounted and framed in narrow aluminium black anodised frame, under non-reflective glass. 700x500mm